Garsington Opera invited its local community into its new £14.5M studios as part of its belief that opera should be accessible to all ages and backgrounds.
The Open Day event which took place on Saturday 12 October not only highlighted the depth of Garsington Opera’s offerings, but also strengthened ties within the local community, inviting people in through the gates to explore the incredible space and have a go at finding their own creativity. The Garsington Opera team showcased a range of activities to take part in, from costume and make up, to Carmen inspired singing and drama workshops using fans made in craft sessions.
A wide range of ages gathered in the workshops to either watch or take part, with participants leaving with infectious smiles and glowing with a sense of achievement.
The Terrévent studio buzzed with activity, featuring an array of captivating elements—from set models of past performances and costumes to try on, to makeup, wigs and quick-change costume video demonstrations. The studio was vibrant and alive, drawing visitors in at every hour of the afternoon.
As the day came to a close, opera singers Satriya Krisna and Nancy Holt warmly welcomed everyone into the foyer. Their voices effortlessly filled the space, creating an inviting atmosphere as guests flowed in. To commemorate the official opening of the studios to the public, Executive Director Nicola Creed, Artistic Director Douglas Boyd, Chair of the Board Miranda Curtis, and Lady Howe, the Lord Lieutenant of Buckinghamshire, delivered heartfelt speeches expressing their enthusiasm for the new space and its promising potential. This was followed by the ceremonial cutting of the cake, a great way to celebrate the studios.
Artistic Director, Douglas Boyd said,” For the last few years residents have seen the building work from afar. But it was always our intention to share the wonderful Studios with them and show them what opera is all about. Today we proved that not only is it a beautiful and accessible art form, but we also hope to have opened some people up to consider a career in opera, either on or off the stage.”
